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School Choice? Let’s try teacher choice

Originally published by: Antonette Bowman — February 21, 2023

The House Education and Workforce Committee convened a hearing last week entitled “American Education in Crisis.” The perennial left–right debate between promoting parents’ rights and protecting public schools was on full display.

Committee Chair Virginia Foxx, a Republican from North Carolina, used her opening statement to argue for extending “education freedom” and to defend parents’ prerogative to take their children and the public funding that goes with them to private, charter, or home schools. Representative Suzanne Bonamici, a Democrat from Oregon, countered by expressing her “strong opposition” to plans that would “funnel taxpayer dollars to unaccountable private schools and for-profit charter schools,” saying that such an approach would “undermine the effectiveness of public education.”

With both sides launching familiar salvos in a policy debate that never seems to go anywhere, what’s needed are reforms to improve American education that could actually garner bipartisan support. A policy of teacher choice could do just that by addressing some of the legitimate concerns of parents while preventing a damaging exodus of students and financial resources from many of America’s public schools. Indeed, letting parents and guardians of public school students choose from available teachers could empower parents and restore the parent-teacher-school relationship, facilitate more effective teaching, improve student learning, and elevate the status of the teaching profession.

To implement a policy of teacher choice, K-12 public schools could provide parents and guardians with teacher profiles and offer the opportunity to pick from available teachers at the beginning of each semester. These profiles could feature a balance of qualitative and quantitative information – including the teacher’s educational background and performance, student and parent testimonials, a description of teaching philosophy, and brief video footage of teachers speaking directly to parents and working in the classroom.

Allowing parents to choose who teaches their children would build greater trust with teachers. Parents would feel more empowered, and teachers would feel honored by the choice and more motivated to perform well. Parents and teachers could then work together to tailor more creative and effective curricula for students.

Teacher-choice policies would also boost student learning by facilitating better instruction. According to RAND, teachers matter more to student achievement than any other aspect of schooling. Permitting parents to find a pedagogical match for their children will enhance learning, as kids are more likely to excel when they have good personal relationships with their teachers and feel welcome in the classroom.

This model would reward top teachers and shine a spotlight on under-performing teachers, who could then choose to emulate the high performers or find a new line of work. As less competent teachers depart, morale and mutual respect will improve among remaining teachers. This, in turn, will elevate the image and status of the school and the teaching profession generally.

Critics of a teacher-choice policy might argue that some parents will make bad decisions. Some may rely on rumors about teachers or select teachers thought to be easy graders. Negligent parents may even fail to pick a teacher for their child at all. These challenges can be managed by administrators and school districts and must be weighed against the benefits of an approach that empowers parents.

Critics may also argue that a teacher-choice policy would create an increased administrative burden. Adopting this approach would no doubt require an investment of staff time and energy. But schools already expend substantial time to achieve a relatively equal student distribution among classes by achievement level, behavioral and medical considerations, language ability, gender, physical maturity, special needs, and even personality conflicts with faculty.

Besides, a teacher-choice policy would generate its own distribution – perhaps a more effective one in some schools. Different parents will want different types of teachers. When necessary, counselors and administrators can work with parents to even out the student distribution, based on mutual consent. Public schools can ease some of the burden by creating online registration systems for selection of courses and teachers, as most colleges and universities do.

Over the long term, under-performing teachers who are not a good fit for the school and community will struggle to attract students and will need to move on.

And that’s exactly the point.

The Left is correct that if we abandon public schools and allow them to deteriorate, we shouldn’t be surprised if our democracy declines, too. But the Right has a point in emphasizing the prerogatives of parents when it comes to their children’s education. Who can blame parents for being frustrated when their child is taught in a public school by an obviously subpar teacher?

Establishing a policy of teacher choice can begin to bridge the partisan divide by simultaneously empowering parents, preserving public schools, and perhaps even catalyzing a renaissance in American education. This is an approach we should all be able to support.

sourced: This article was originally published by RealClearEducation and made available via RealClearWire

Les Négresses Vertes – Under the sun of Bodega

Formed in 1987, Les Négresses Vertes arose from the alternative-music scene in Paris.

This catchy piece is just one of many from Les Négresses Vertes.

Les Négresses Vertes – Under the sun of Bodega (Di Moko)
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The original line-up included singer Helno,  Jo Roz (piano), Stéfane Mellino (guitar), Jean-Marie Paulus (bass), Gaby (drums), Matthias Canavese (accordion), Michel Ochowiak (trumpet), Abraham Sirinix (trombone), and Iza Mellino (backing vocals).

The original members were a group of friends, many of whom had not played their instruments before forming the band. The group’s name translates as green negresses; and arose from abuse hurled at the members at one of the group’s first concerts.

Several members left the band after Helno’s death, but Les Négresses Vertes continued around the nucleus of Mellino, Canavese, Ochowiak, and Paulus. In 1995, the band released the album Zig-Zague, followed by the live album Green Bus. By the 2000s Trabendo, the group’s style had shifted to a dub-oriented lounge style.

You can catch up with Les Négresses Vertes in the links below:

https://lesnegressesvertes.lnk.to/essentials
https://www.youtube.com/channel/UCtKro4TyDz2iAB0ydrkKFzw
https://www.facebook.com/lesnegressesvertesofficiel/

Medwyn Goodall – Eyes of Heaven

Medwyn Goodall is a composer, musician, and owner of record label MG Music. He is mostly associated with the New Age genre.

Listen to Eyes of Heaven by Medwyn Goodall:

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Medwyn Goodall began composing original songs as a teen, earning local notoriety with his band Trax; in the years to follow, he learned to play a vast range of instruments, including mandolin, piano, drums, harp, flute, glockenspiel, panpipes, vibraphone, and synthesizer, and cut his first album at age 26.

Medwyn Goodall is a prolific recorder, having recorded over 75 albums. He also topped the UK music charts twice and sold over three million albums. His first album was Emergence (1987), published by New World Music. His early albums were published also by Oreade Music. He also started MG Music in 2003. This is a record label which specializes in New Age music.

Many of Goodall’s recent releases have been under the alias Midori. He explains that he chose this alias so he “could record projects that were more ethnic, eastern, or produced for the healing arts” without confusing fans of his other music. However, there are also other musical artists using or known by the name Midori (such as the jazz-punk combo Midori and the Japanese violinist Midori Goto).

Medwyn Goodall - Meditation & Visualization One of Goodall’s tracks, “Free Spirit” from his album Meditation & Visualization (2001) features the same Spectrasonics “Distorted Reality” sample featured in the “Summer Forest” music in the video game Spyro 2: Ripto’s Rage!, as composed by Stewart Copeland.

You can catch up with Medwyn Goodall and learn more about his music by visiting his website: https://medwyngoodall.com/

Raye Montague – Against the Odds

Raye Montague, a brilliant African American woman and an American naval engineer, was credited with creating the first computer-generated rough draft of a U.S. naval ship design. She further distinguished herself as the Navy’s first Program Manager of Ships (PMS-309) for Naval Sea Systems Command’s Information Systems Improvement Program.

Despite facing the blind eye of racism and sexism like many other people of color, not only did she shatter glass ceilings—she broke straight through them. While dealing with overwhelming roadblocks, she succeeded in the U.S. Navy civilian workforce and later became an internationally-known, registered professional engineer.

In her own words:

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Ms. Montague was born in Little Rock, Arkansas, on Jan. 21, 1935. Her desire to study engineering started at the age of seven, when she visited a museum with her grandfather and saw captured German ships.

Even though she wanted to study in engineering, colleges in Arkansas would not allow African Americans or anyone of color to pursue the degree at the time. Although she decided to major in business, in the back of her mind, she always remembered something her mother told her: “You can do anything you want to do and be anything you want to be.” She sought out to do just that.

Ms. Montague began her career as a digital computer system operator in 1956 at the David Taylor Model Basin. During her 30-years of service, she focused on making the job she loved better, and leaders recognized it. As a result of her achievements she soared from a GS-3 to a GS-15. She quickly became known for her engineering skills and her top secret weapon: her photographic memory.

Ms. Montague revolutionized the way Navy ships and submarines were designed by computers, becoming best known for her work during the time of the Vietnam War, when President Richard Nixon gave the Navy two months to come up with a ship design.

Although Ms. Montague’s supervisor only gave her one month to draft the specifications, she gladly took on the task and produced a design in only 18 hours and 26 minutes (at the time, it typically took division workforces or groups somewhere around two years to deliver a design for a ship).

The design Raye Montague came up with went on to become the lead ship of the Oliver Hazard Perry class of guided-missile frigates—USS Oliver Hazard Perry (FFG 7). The Oliver Hazard Perry frigates replaced WWII’s destroyers and complemented 1960s Knox-class frigates.

Raye Montague received many honors throughout her career.

In 1972, she was awarded the USN Meritorious Civilian Service Award for outstanding civilian achievements.

In 1978, she became the first female professional engineer to receive the Society of Manufacturing Engineers Achievement Award.

In 1988, she received the National Computer Graphics Association Award for the Advancement of Computer Graphics.

The Naval Sea Systems Command honored Ms. Montague as its own “hidden figure” in 2017.

Raye Montague was inducted into the Arkansas Women’s Hall of Fame in 2018.

She remained active with her sorority, Alpha Kappa Alpha, and attended events with her chapter, Beta Pi Omega. Ms. Montague continued to take part in many civic organizations until passing to her final resting place in Little Rock, Arkansas, on Oct. 22, 2018.

Raye Montague demonstrates that women can excel in STEM. She also proves the importance of staying focused on your dreams. Her outstanding career and contributions show that diversity makes the Navy stronger and that your origin is not an indicator of your ability to succeed. Thank you Ms. Montague for standing the Watch.

Sourced:

https://www.maritime-executive.com/article/raye-montague-naval-engineering-pioneer-passes-at-83

https://abcnews.go.com/Entertainment/meet-woman-broke-barriers-hidden-figure-us-navy/story?id=45566924

https://www.smithsonianmag.com/smart-news/raye-montague-barrier-breaking-naval-ship-designer-has-died-83-180970608/

https://www.navsea.navy.mil/Media/News/Article/1156653/when-the-chips-fall-be-ready-take-charge-navys-hidden-figure-advises-audience/

Ryan Farish – Little Ray (featuring Tiff Lacey vocals)

I’ve been a huge fan of Ryan Farish for years. The fan (@AngelWingsLili) created video below presents Ryan Farish featuring Tiff Lacey on vocals. It’s one of the best pieces of music, in my opinion, that Ryan Farish has ever done.

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The lyrics for this song can be found below.

Ryan Farish launched his music career on the first generation MP3.com. It was at this site where he received 1.8 million downloads of his trademark, electronic/world music. As a result of this momentum, Farish has been noted as a “Download King” by L.A.’s Music Connection Industry Magazine.

In 2004, after many requests as to what genre Ryan Farish considered his music to be, Ryan coined the name “Positive Chillout” to be a reference to his unique brand of uplifting, chillout electronic music.

In November 2006, Ryan published this title, on his owned/operated Live365 internet radio station, “Positive Chillout”, as well as RyanFarish.com and PositiveChillout.com. The Live365 radio station was first created in November 2006 as “Positive Chillout”.

Ryan Farish - Pacific WindAlso in 2006, Ryan Farish gained attention on YouTube when his song, “Pacific Wind”, was featured in a popular video, entitled “Remember Me”, created by a 15-year-old high school student named Lizzie Palmer.

The video, a sentimental montage of soldiers in the Iraq War, was ranked as the 48th most-watched YouTube video of all time as of April 26, 2008. To date, this video has received 32 million views.

 

Ryan is known for his downtempo electronica, chillout, and uplifting dance music. His sound is a combination of anthemic melodies layered with organic downtempo grooves along with a collection of releases that infuse dance rhythms with uplifting themes. Ryan established his self-owned record label in 2008, RYTONE Entertainment, as a home to his own releases as well as those of other collaborative artists.

Throughout the 2000s and early 2010s, much of Ryan’s works were featured on The Weather Channel’s Local on the 8s segments and theme track to “Storm Stories”.

In 2010, Ryan re-launched the show on DI.FM’s (Digitally Imported) “Chillout Dreams” channel as “Positive Chillout with Ryan Farish”. The new show brought an emphasis on Electronic Chillout Music, which is considered positive and uplifting.

Ryan’s music is featured across YouTube from fan-created videos that have reached beyond 70 million views.

You can learn more and experience Ryan Farish for yourself by visiting his website at https://ryanfarish.com/

Little Ray lyrics:

Hey Sunshine, where did You come from
And You′re all mine, my Miracle from God
I love to have You in my life, like helium
To paint Your smile is my delight
It’s always in my plan
Did You know I count my blessings everyday
I see You

My very own little ray of sunshine
So special, so sweet, and all mine
My very own little ray of sunshine
You chase the clouds away with Your smile

Hey Sunshine, I love to kiss you
When you′re not around sometimes
O how much I miss You
I love to have You in my life, like helium
To paint Your smile is my delight
It’s always in my plan
Did You know I count my blessings everyday
I see You

My very own little ray of sunshine
So special, so sweet, and all mine
My very own little ray of sunshine
You chase the clouds away with Your smile